(13x19) Alice Dalton Brown Blues Come Through Art Print Poster

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a b The Metropolitan Museum of Art. Small Golden Corner, Alice Dalton Brown, Art Collection. Retrieved January 10, 2023. Cooper, James. "Beautiful Flame Burns Under Brown’s Victorian Facade," New York Tribune, March 6, 1987. a b Kimmelman, Michael. "Review/Museums," The New York Times, May 5, 1989. p. C28. Retrieved January 11, 2023. a b c d Heller, Jules and Nancy G. Heller. North American Women Artists of the Twentieth Century: A Biographical Dictionary, New York: Taylor & Francis, 2013. Retrieved January 10, 2023.

a b Johnson Museum of Art. Retreat Grasses, Alice Dalton Brown, Objects. Retrieved January 10, 2023. Allen Memorial Art Museum. Rome #9, From my Window, American Academy in Rome, Alice Dalton Brown, Art Collection. Retrieved January 10, 2023.

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Shin, Miri , Bora Kim and James Mullen. Alice Dalton Brown: Where the Light Breathes, Seoul: My Art Museum, 2021 a b c d e Diggory, Anne. "Layers of Clarity and Ambiguity," American Artist, October 2001, p. 40–47.

Dalton Brown's work synthesizes various realist tendencies in a manner that evades easy placement within typical modes of contemporary realism or photorealism. [8] [7] [2] For example, despite using reference photographs, she does not imitate their optical qualities, nor does she derive compositions directly from them, but rather, reconstructs, edits and collages reality freely to suit her purposes. [8] [26] [21] Similarly, her painterly treatments of foliage, water and floorboards, eccentric compositional rhythms and perspectives, and level of psychological and emotional content introduce expressionist qualities at odds with more conventional realism. [8] [27] [2] Art historian April Kingsley compares Dalton Brown's approach to those of Richard Estes and Edward Hopper, deeming her a "subjective realist." [2] In addition to Hopper's influence, writers have cited Post-Impressionists such as Gaugin, Bonnard, Vuillard and van Gogh, the Dutch Old Masters, the 19th-century American sublime tradition, the American Precisionists, and Josef Albers (for his theories of color structure), as significant to her work. [2] [28] [6] a b c d Howard, Henrietta. "Private Views: Inside and Outside," House & Garden (UK ed.), January 1991, p. 88–89. a b c d Grosz, David. "Alice Dalton Brown: Barns 1965–1976," The New York Sun, September 21, 2006, p .19.a b c d e Howell, Camille. "Light, life spill from Brown's artwork," The Springfield News-Leader, October 29, 1999.

Johnson Museum of Art. "Summer Breeze: Paintings & Drawings by Alice Dalton Brown," Exhibitions. Retrieved January 11, 2023. a b c d e f g h i j k l m Kingsley, April. The Paintings of Alice Dalton Brown, New York/Manchester, VT: Hudson Hills Press, 2002. Retrieved January 10, 2023. a b c d e f g h i j k Whitman, Arthur. "The Realist Paintings of Alice Dalton Brown," The Ithaca Times, July 3–9, 2013, p. 13. Retrieved January 10, 2023. a b c d Lee, Jangro. "Alice Dalton Brown Where the light Breathes," Weverse Magazine, September 24, 2021. Retrieved January 10, 2023.In the mid-1990s, Dalton Brown shifted her perspective, with scenes from inside houses looking out, most characteristically with through open windows whose diaphanous, windblown curtains enlivened otherwise still, bare rooms with an implied human presence. [7] [22] [33] [29] Paintings with lake scenes, such as Summer Breeze (1995), Blues Come Through. (1999) and Whisper (2001), emphasized an active play of light, shadow and geometry on curtains, walls, floors and water through reflection, refraction and distortion. [22] [26] [34] [35] Art in America critic Gerrit Henry described them as works of eternal summer, "crystal clear in their psychological pantheism" with "a glistening apprehension of sun and weather" and an eye for the extraordinary amid the everyday. [6] With works such as the elegiac Autumn Reverie (1998), Dalton Brown's emphasis shifted to the house's architecture and the varying visual effects created by windows, in that case within an elaborately conjoined triptych-like structure of transitional passage consisting of porch, doorway and interior. [31] [8]

a b Kingsley, April. "The Clear Light of Alice Dalton Brown," Alice Dalton Brown: Interior Spaces – Exterior Light, Springfield, MO: Springfield Art Museum, 1999. Retrieved January 10, 2023. a b Minneapolis Institute of Art. A Sheltered Spot, Alice Dalton Brown, Collections. Retrieved January 10, 2023. a b c d Carey, Brainard. "Points of Light," Praxis Center for Aesthetics, September 6, 2018. Retrieved January 10, 2023. In the 1960s, Dalton Brown balanced family life and artmaking focused on images of interiors, figures and rural structures after a move to upstate New York. She and her family relocated to Greenwich Village, Manhattan in 1970, where she encountered in close proximity an art scene expanding from Abstract Expressionism into minimalism, conceptualism and various modes of realism. [5] [16] In 1975, she began exhibiting her paintings and collages of pastoral scenes. [14] [16] After turning to houses as subject matter, she attracted greater notice in the 1980s through solo shows at the A.M. Sachs [1] [18] and Katharina Rich Perlow [19] galleries in New York and group exhibitions at the McNay Art Museum, Columbus Museum of Art and Minnesota Museum of American Art. [14] [2] Dalton Brown has exhibited at institutions including the Herbert F. Johnson Museum of Art, [8] Butler Institute of American Art, [9] Bronx Museum of the Arts, Albright-Knox Museum, and McNay Art Museum. [2] She has been recognized by the American Academy in Rome and her work belongs to the public collections of the Metropolitan Museum of Art, [10] Johnson Museum, [11] Minneapolis Institute of Art, [12] and Tampa Museum of Art, among others. [2] After being based in New York City for over three decades, Dalton Brown splits time between Peekskill, New York and the state's Finger Lakes region, at Cayuga Lake. [13] Early life and career [ edit ]

a b My Art Museum. "Alice Dalton Brown, Where the Light Breathes," Exhibits. Retrieved January 11, 2023. Alice was born in Pennsylvania in 1939 and grew up in New York. She studied art in Paris, Grenoble and America. Dalton Brown has exhibited her oil paintings all over the world and they form part of both corporate and private collections in America, Europeand beyond.